I was looking for ways to offer a raw interpretation of the female body that could challenge the distorted representation of media images, when I found Anthropometries (1960). Some of Yves Klein’s most successful work involved him directing naked models making imprints of their bodies. I felt the urge to re-contextualise Anthropometries using my own body as an art object, and combining my name with Klein’s artwork title, I called the process Sophmetries.